resistances
lionel Martin : soprano and tenor
saxs
Bruno tocanne: drums
Benoit keller : double bass
recorded in Salon de Provence , France in 2001
label: AgapeS
2002
reference: AGA 2100
titles:
Le chant des partisans(marly)
de la tête au pied (keller)
resistances (tocanne-Martin-keller)
demi tonton(keller)
coccinelle n tête (Martin)
tolérences (Martin-tocanne)
la sieste à lulu (keller)
les ménadres du fou(keller-Martin-tocanne)
morceau triste, mais... (Martin)
C'est quand il crie qu'il tête (Martin)
le chant des partisans (marly)
press:
Resistances
of Jazz ...
"They are without
compromise... They are not the lymphatic members of a speech or a
method. Why? because with them, in their connection, they
cultivate the requirement. Their music is not difficult, is not
harassing. It sticks to time present. Or rather it distinguishes
the lines of fracture of them... It has this of also modern, in
the aesthetic direction, which it is not satisfied to reproduce ad
nauseum the litany of the commonplaces. Their jazz is not a
jazz of loan but well a jazz which is sought with constancy. In
other words which is admirable "
- Serge Truffaut
, leader-writer and critical jazz in Le Devoir of
Montreal, June 2002.
A
space of freedom ...
" It arises from this new trio a beautiful allied energy
within the meaning of the precision and "efficacité".
Nothing useless in the sentences has the time rageuses and
contained of Lionel Martin which one knows ardour and the heat he
have to communicate with the public. We can think to Steve Lacy
in this art to engrave the sentences and to keep silent itself
leaving. The double bass of Benoit Keller and the drums of Bruno
Tocanne, (of which " the toms and the cymbals with the
music is what the key is to the Japanese calligrapher - in
"Liberation"), assume an extreme
musical quality. One very moving version of " le chant des
partisans" gives all his direction under their next CD
" Resistance, manner of also saying that the music will
always constitute a space of freedom ". Yves
Bleton /Agapes 2002